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Above The Line Agreements

For the success of a movie, it is also essential to use music and other sounds to create sound effects. It is equally important to use movie and TV clips to enhance the overall presentation of the film. This is a very complex area of cinema and it is not surprising that it is about other types of agreements, sharing and licensing, such as for example. B synchronization agreements. For more information in this area, please see our recent article Barry Heyman on the types of chords needed to use music in a movie or TV series. For example, a director`s employment contract would include compensation for development and production, depending on when the director was hired. The deal could also include a provision to share some of the profits if the film ends well at the cinema coffers. In addition, it is not uncommon for the crew above the line to receive a daily or daily scholarship to cover their expenses during the set. The agreement usually also contains provisions, as is called above the Crew line in a movie, which can sometimes be very controversial. Such an agreement could also give directors the right to hire other crew members and decide on the occupation.

A director might want to have control over the cut and final cut of the film, and the extent of that control should also be determined in the director`s employment contract. Finally, an agreement with a director could have a “pre-emptive right provision” giving the director the right to decide whether he wants to stage prequels or sequels to the film before producers can hire another director. Like writers, many experienced directors are members of the DGA. Their agreements would be subject to the rules of the DGA and their basic agreement. In addition to wages, below-line costs also include production costs. This could include money spent on kits and accessories, music and composition licensing fees, trailers, craft services, advertisements, travel, and insurance. In principle, any money that does not go to an actor, producer, director or screenwriter can be classified as a below-line edition for accounting purposes.. . . .